Each novel I write seems to follow a pattern at the beginning up to the point where I decide I’ll definitely write it. If it doesn’t pass this stage, then it doesn’t happen. First of all, I have an initial idea and, for the idea to take shape, it has to grab my interest really strongly. I write a brief synopsis, leaving the idea fairly loose, and let it sit for a while: I’ll be writing something else at the same time, editing something else and have another idea in the planning.
Then the time will come round to turn the idea into a new novel. So I make a start, not rushing it, having planned the beginning and the ending, and I’ll start to create my character. But at 10,000, 20,000 and 30,000 words in, I expect to be well-hooked into characters and action and plot and I’ll stop and check: if I’m not completely engrossed, my reader certainly won’t be and I’ll rethink the whole thing.
So, at the moment, I’m writing a novel for 2021 in which a character and a companion leave one place to stay in another. They have a few adventures there, then the protagonist takes off again, this time to somewhere completely different. I’ve allowed 20,000 words to embed the first section before the journey, 20,000 more in order to explore the second place and then the character can have 50,000 words in the final glorious location.
Once I’ve written the beginning, created the protagonist(s), given them something they need to find by the end of the novel – which might be an opportunity to develop or change, ior it may be something personal, something they don’t know that they want yet – I know I’m off and running. At that point, I can get down to detailed planning of the rest of the novel and organise the highs and lows, more fun parts and the episodes of conflict and development.
So, currently I’m 35,000 words into a new novel and I’m quite happy. I have my main character fairly well developed; she has flaws, energy and a great deal of positive points and she’s already shown her true colours. But the journey she’s on, which is not just physical but also self-discovery, has to be considered in detail if she is to be the person I want her to become, to have the experiences I want her to have and to become happier with life. There are people she’ll need to meet, some of them barely sketched in my head yet. So, at this point in the novel, I always stop and ask myself a big question:
Now I’m a third of the way through, do I love this novel enough to want to write it all?
Because if I don’t feel a real attachment and real commitment at this stage, it won’t work and I’ll drop it like a stone.
Loving a novel enough to write it goes a long way beyond commitment and stickability; there will be characters I’ll need to live alongside for months, take them into my life and to help them to grow. Obsession may be too strong a word, but I have to want them to move in with me and talk to me incessantly for a long time if I’m going to write them. They will wake me up in the early hours, fill my head during social occasions and frequently interrupt conversations.
So once I’ve written the opening chapters, I read the first 30,000 words back out loud to myself to check it is effective and coherent and then I read it to other people I can trust and persuade to listen, and monitor their reaction. I want them to be entertained, engaged, immersed, to like the character, to laugh, to be captivated, to care about what happens in the rest of the story. It’s one of the many points in the writing stage where I have to be tough. If the story-so-far doesn’t have the impact I want it to have, I’ll shelve it and keep some of the ideas for another novel.
As it turns out, the feedback on this one is positive; I’m very happy and I’m going to keep writing. I have to know I’ll enjoy writing it; that the journey will fascinate me and, despite careful planning, new ideas will jump in as I progress that are usually better than the ones I’ve already written down, which are more likely to surprise my readers.
So the current book, which is scheduled for 2021, is underway and I have two more new novel ideas that excite me waiting in the wings: one is likely to be a hoot, allowing me to push boundaries and create fun situations and characters, and the other will be a learning journey for me, based on the subject matter I need to research. But it’s all exciting.
I recently read an article by a writer saying how difficult the job was – that our lives are always full – we’re always writing a new novel, editing the last one, publicising the previousone, planning the next one and reading for inspiration and research all at the same time! But what a lovely position to be in. All writers strive for exactly this: it’s a great life. I couldn’t be happier.