Celebrating the Age of Misadventure

My new novel, The Age of Misadventure, is out today. I really hope everyone will enjoy it. Grateful thanks to all the people who are with me on this journey – wonderful professionals, family, friends and so many people I am so glad to have come to know through writing novels. I have always wanted to write and I’m living the dream every day. I’ve just finished writing another novel, which I’m really excited about, and I’ve plans to write two more this year. They all contain characters in their golden years along with other characters too, of course. We live in a wonderful, diverse work and, although I want to have a diverse cast, I don’t want to miss out on the opportunity to create an older protagonist or two who have arrived at that age where they care little about what others think and revel in their own capers for the sheer joy of it.

It was for my mum, Irene, that I wrote my previous novel, A Grand Old Time. She loved to read so many books – they helped her to escape the daily routine. She was my Evie Gallagher, or at least, she was the Evie she could have been in another time. I’d have loved it if she’d been able to take off to France in a campervan and have those adventures. She’d have been just as feisty and as mischievous, and I knew exactly how Evie would behave because my mum would have been that way too. I haven’t finished with Evie entirely – she’s irrepressible, and I have a feeling she may be back.

In my new novel, The Age of Misadventure, I wanted to suggest that everyone should have fun, whatever their age. Georgie, at fifty five, has tried to harden her emotions, having been disappointed in love. She reminds me of so many women I know and respect – strong, gritty and independent, tough in order to shield herself from being hurt again but by the end of the novel, she has softened. There is a second chance for her. But it is the character of Nanny Basham that I really hope people will take to their hearts.

I wrote the character of Nanny Basham with my Dad in mind. I lost him a couple of years ago. He’d been living on his own, managing to be independent until the last few years. Then, like Georgie in The Age of Misadventure, it fell to me to cook his meals, do the shopping and sort out most aspects of his life. Many of Nan’s disgruntled words at the beginning of the book are his too. Being old and living by yourself, eating meals for one in front of the TV and not putting on the heating because it’s expensive is no picnic, and it’s often difficult for people in that position to feel positive about life.

So I wanted to allow Nan to have some freedom, and to enjoy herself. Inside the lonely woman living from day to day is a woman who has another life to live – she craves company, fun – she likes to party. And I wanted The Age of Misadventure to be exactly that, Nan’s chance to party.

Of course, a frail older lady now, Nanny Basham has a past and she has loved and lost. Her life is to some extent about memories. But I want my older characters to believe they have a present time to enjoy and in The Age of Misadventure, Nan has the time of her life, both on the road trip and in Sussex. She lives a completely different lifestyle: surrounded by people, she feels pampered, important and she is happy. It is no wonder that, at the end of the novel, she says that she would rather be on the run and in danger and have fun than go back to sitting in front of the TV by herself with a meal in a box.

The Age of Misadventure is a road trip, an adventure, a comedy romp and the story of three generations of women finding out what they want from life. As ever, each day is a lesson and from the difficulties we experience comes learning. Bonnie is a much more likeable character by the end of the novel, when she has learned to be independent and when she discovers who she really is, rather than being content to reflect what her husband wanted her to be. Similarly, when Georgie puts her guard down, she is warm, loyal and funny, and yet she remains a lioness, fiercely protective of those she loves. Jade, still very young,  moves to the next stage of her life, becoming independent and carving out a future with her new partner. Nan relishes being with others, having company, and by the end of the story we hope she will enjoy herself now, living each day in her own riotous way but with a heart of gold.

Having been through an adventure together, all the characters are ready to celebrate life in the present. I believe that we should try to celebrate every moment in our lives whatever age we are and whatever our circumstances. It’s not always easy though, but books can help, as they helped my mum to dream when her life was all about routine. And that is where the older protagonists come in, having characters who misbehave, who enjoy every moment, who – even in their older years – refuse to fade into the background and be quiet. Hopefully we’ll all become older people as life expectancy increases. And perhaps we’ll benefit from characters like Nanny Basham and Evie Gallagher: new role models, older characters in novels who are flawed, who fight against adversity and come through triumphant, perhaps a little scathed, but positive and having learned something important about life.

So I’ll continue to write about fun characters that are in their golden years, as well as some other characters that are not. Perhaps that’s how the world is and should be – it’s about inclusion and celebration. To some extent, Nanny Basham was written for my Dad, Tosh. But really and truly, she is written for all of us. May we all live long enough to enjoy our later years when, like Nan, we have earned the right to be who we are – funny, feisty, a little outrageous and very much ready for some misadventure.

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Why some of my protagonists are older people..

I’ve been asked the question a couple of times in interviews: why do you write about older protagonists?

My first reaction is that I don’t – I write about people, all sorts of people from all sorts of backgrounds. I’m comfortable doing that, as long as I know what I’m writing about. This in itself is part of a debate I’ve heard many times: should writers from one social class or specific background write about people from other groups; should writers create characters of a different gender, sexual orientation, race, background to themselves? Is researching a character’s lifestyle good enough preparation or is a character only valid if the writer has personal life experience? That’s an interesting and complex debate for another time.

There is a woman I know – we were students together – whose academic work I admire, who wanted to write about women’s lives in the sex trade and so she integrated herself within the industry in order to discover what she wanted to write about. Not easy research. It’s a similar concept to the method acting work of performers like Robert De Nero, who worked as a taxi driver in order to give his role in the film an authentic representation. Research and knowledge about the character are important, whatever length an artist goes to in order to understand, but should we, in fact, only write about characters when we have first-hand experience? Certainly, for me, that’s a starting point. My protagonists could, arguably, be said to be composites of many people who have been an influence during my life.

My second reaction is that I write about older protagonists because they are perhaps underrepresented in the genre I write. Older women and men have been, somehow, perceived less interesting, less worthy of empathy, less attractive, less likely to be involved later in life in fascinating escapades, romantic or otherwise: less sexy and somehow less interesting. Of course, now that sixty is the new forty, we know that’s no longer the case and it’s a shame that it has ever been perceived otherwise. Age is just a number: we all know health and happiness are more important.

My third reaction is that writing reflects the world:  novels will contain characters of any age and background and older people are very much a part of the world. But it is true: I do like to create some of my protagonists as people in their golden years. Now they have no daily job, no growing families, no looming responsibilities, it’s time for them to make mischief. I enjoy winding such characters up and letting them go.

In my first novel, ‘A Grand Old Time,’ the central character, Evie, is in her seventies. She is witty, feisty and glamorous; she embarks on a journey of self- discovery which takes her through France in a campervan. She meets a septuagenarian hunk. Jean-Luc, who is difficult and brooding: but he has a private problem that will ultimately affect Evie. So yes, the two older protagonists are central to my story, but so too are the marital difficulties of Evie’s son Brendan and his wife Maura. The four characters have needs and problems, they have to bring about changes in their lives and they find themselves in situations which spark mischief, comedy and bittersweet action. I enjoyed writing about all of them.

Although my novels are perceived as being in the category of romantic or comic women’s fiction, I’m delighted for anyone and everyone to read them. I had a lovely comment from a man who read the novel and said that, although he valued Evie and her fun adventures, for him it was Brendan who struck a deep chord. In a job he dislikes, a loveless marriage and blaming himself for his hapless situation, Brendan is depressed and lonely. The male reader suggested that many men would empathise and he found Brendan’s plight moving. I was moved myself to hear his response and very grateful.

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My second novel, ‘The Age of Misadventure,’ is a story of four women of three generations, who go on the run together. The youngest, Jade, is twenty-four; the oldest, Nanny Basham, is eighty-eight. The other two women are in their fifties. Having the opportunity for the three generations to interact together gave me the chance to create comedy, but also to examine the difference between the lifestyles, attitudes and behaviour of the women. It’s true, most of the comedy comes from Nan, who is outrageous at times, but her character is inspired by the idea that dependent older people might be lonely and Nan’s brusqueness is a coping mechanism for how hard it is to live a solitary life. As Nan says, she’d rather be faced with the danger and death during their experiences on the run than stuck at home in a cold house eating dinners for one.

I’m currently embarking on a new novel. The main characters are two sisters in their seventies and a very bad man of a similar age. I’ll keep the storyline under wraps for now but yes, I’m writing about older protagonists who are interesting, who are not what they first seem, who are full of mischief and who have the opportunity to be a little iconoclastic. But there will be a whole range of other different characters in the novel, of all ages and backgrounds. I’m looking forward to writing this during the autumn and I know if I have a whale of a time creating the characters and the action, then there’s a good chance readers might enjoy the romp too.

The answer to my question, then, is yes –I do write about older protagonists, giving them the opportunity to misbehave and go on adventures, to fulfil their expectations of life. But they can’t do it alone. The world is full of all sorts of people: it’s a rich tapestry of diverse characters. Ideally, that’s how I’d like my novels to be.