Casting Heading over the Hill as a film

Of all my novels, this one is the easiest to cast as a film. The characters jumped out at me, from the moment I thought ‘now who would play Billy and Dawnie?’ Once you’ve read the book, think about the casting for yourself – you may come up with much better ideas than I have but, for me, the following actors work perfectly.

Dawnie Smith is a really strong character; in her wigs and colourful clothes, she is outgoing, determined and vociferous, with a kind heart. Julie Walters would play her perfectly – Dawnie can’t be suppressed, she is incorrigible and fun but she’s also sensitive, kind to others. Julie Walters would capture her mischief and she’d have a wonderful rapport with Billy, as they are both inseparable and interdependent.

Billy Murphy is Brendan Gleeson: tall, big-hearted, sociable yet his fun-loving character hides a shadowy past, which he rarely mentions. He adores Dawnie. He has a sense of humour and he is a gentle giant who keeps his Harley Davidson in the hallway and plays the drums in the spare bedroom. He is the perfect man for Dawnie; romantic, a good cook, and with a heart of gold, Brendan Gleeson would be a wonderful Billy.

Dilly Stocker is the older woman who lives across the road with her son; she is mischievous, full of fun and she adores action movies. It would be wrong to play this character merely for her stereotypical ‘older woman living disgracefully’ qualities without accentuating her loneliness, her love for her son and her sense of loyalty. Bring out Maureen Lipman here, who’d need good make-up to enable her to look older, but she is absolutely the right actor to capture Dilly’s sense of fun.

Vinnie Stocker is in his fifties, handsome and vulnerable, looking for love, having had his heart broken. Colin Farrell could do this role perfectly; handsome, naive, trusting and kind, Vinnie’s journey from lonely heart to happy man would be wonderfully played by Colin Farrell.

Malcolm from next door. Malcolm doesn’t have many friends. He is a gossip, he’s judgmental, negative and an all-round- unpleasant neighbour. He’d be played by Jim Broadbent. He has the ability to appear sorry for himself but he can be quite petty and difficult. I’d imagine he’d do a fabulous job as Malcolm, enabling an audience to feel pathos as well as animosity towards the character.

Gillian, Malcolm’s long-suffering wife is sad and lonely in an empty marriage; we feel sorry for her and, as is often the case for many characters in this novel, there is more to her than initially meets the eye. I’d choose Imelda Staunton to play Gillian. She’d have to be made to appear dowdy, but she’s such a strong performer and she’d embody the character so well.

Lester Wainwright becomes Billy’s biker friend; he’s an entomologist and an all-round nice guy. He’d be played by Tom Courtney who’d be perfect in the role of the kind man who adores his wonderful wife.

Ursula Wainwright is so warm, friendly and thoughtful, a completely generous person. I struggled to cast this one; I was looking for a German actor who would be in the right age bracket and I couldn’t find one. In the end, I settled for an American who would have the kindly face and potential to appear gentle and magnanimous, so Ursula would be played by Laura Linney.

The seaside setting would add to the British feel of the movie, on location in west Devon, where Billy riding on his Harley along the coast and across the moors would offer a great opportunity for the sense of freedom. The fresh summer sunshine and moonlit nights set the scene  for second chances and new beginnings. I can just imagine Billy and Dawnie’s story being a poignant and joyously feel-good movie.

My novel Heading over the Hill and the three stages of marriage.

When I wrote Heading over the Hill, I decided that my main protagonists would be a married couple who arrive in West Devon. Having left their children behind in their former house in Lancashire, they are now looking for a new life, an opportunity to start again.

My protagonists Billy and Dawnie are retired and in their early seventies. They have inherited some money  from Billy’s father and they want to buy a new home. Their children have grown, they have grandchild, great grandchildren, so the opportunity to start again is exciting. They have shared fond memories and they have different views on their newly empty nest, but they are both convinced that they have an ideal opportunity to concentrate on themselves.

Dawnie and Billy’s marriage hasn’t been an easy one. It’s been filled with children and laughter but, for some of the time, Billy has been an absent father. Although loyal to his wife, Billy is far from the perfect husband and Dawnie has had to shoulder much of the responsibility for day-to-day living over the years. Their marriage hasn’t been easy.

Billy and Dawnie aren’t a conventional couple. He keeps his Harley Davidson in the hall and she is outspoken and bold, wearing bright wigs and clothes. Not all the neighbours like them immediately but, as a couple, they are inseparable and fiercely loyal to each other.

Many people will recognise the stages of Billy and Dawnie’s marriage and, although I wanted to focus on the ‘third’ stage, a succinct history of the first two stages was important to establish in order to create a background to their story.

They met in their early twenties, besotted with each other, quickly recognizing their soul mate in the other and, without any careful thought for the future, they married and began a family. The first stage of marriage can be, in many cases, a whirlwind of strong emotions, a belief that the relationship will last forever, that it is idyllic and that true love is everything. Love conquers all! Of course, this doesn’t describe everyone’s first stage of a long-term partnership, but  Dawnie and Billy hurled themselves into marriage believing that it was going to be perfect forever, and much easier than they thought.

The second stage of their marriage was the treadmill stage, the mayhem of bringing up children that Emma Murray writes about so wittily in Time Out. For couples who don’t have children, perhaps it’s a more settled stage although external demands like careers and mortgages usually rear their heads for us all. But when Billy and Dawnie’s two children, Lindy Lou and Buddy, arrive they dominate their parents’ daily existence. With Billy not always present, or with frequent changes unsettling the family regime, life is not easy for Dawnie and, in fairness, Billy has a history which remains with him in the present. The love-conquers-all dream becomes simply about day-to-day survival.

Billy and Dawnie decide it’s time to move to Devon and find the perfect house by the sea. The third stage of their marriage is ‘their time’. The children are no longer dependent and Dawnie and Billy have the opportunity to follow their own path and to choose the life they would prefer. They rent a house in Margot Street, immediately termed ‘Maggot Street’ by Dawnie, in order to search for the dream house.

This third stage of marriage should be the most settled, arguably the easiest and the most deservedly selfish. Billy and Dawnie have earned it. They have come a long way together. Instead, they find themselves in a neighbourhood where not everyone likes each other. They make new friends, an enemy or two, and they discover that the empty nest is still a real issue and that they have to rethink a lot of their settled  beliefs about life and marriage.

Heading over the Hill is Billy and Dawnie’s story, focusing on the stage of marriage after the children have grown, but it is also the story of others’ relationships. There are other characters whose stories may resonate: a widow, a lonely man searching for love; two people stuck in a miserable relationship; a blissfully happy couple or two. It is about people reaching out to each other, about fun, sharing, communities and kindness, but also it is about life being lived at its fullest, enjoying each day as a blessing.