Celebrating the Age of Misadventure

My new novel, The Age of Misadventure, is out today. I really hope everyone will enjoy it. Grateful thanks to all the people who are with me on this journey – wonderful professionals, family, friends and so many people I am so glad to have come to know through writing novels. I have always wanted to write and I’m living the dream every day. I’ve just finished writing another novel, which I’m really excited about, and I’ve plans to write two more this year. They all contain characters in their golden years along with other characters too, of course. We live in a wonderful, diverse work and, although I want to have a diverse cast, I don’t want to miss out on the opportunity to create an older protagonist or two who have arrived at that age where they care little about what others think and revel in their own capers for the sheer joy of it.

It was for my mum, Irene, that I wrote my previous novel, A Grand Old Time. She loved to read so many books – they helped her to escape the daily routine. She was my Evie Gallagher, or at least, she was the Evie she could have been in another time. I’d have loved it if she’d been able to take off to France in a campervan and have those adventures. She’d have been just as feisty and as mischievous, and I knew exactly how Evie would behave because my mum would have been that way too. I haven’t finished with Evie entirely – she’s irrepressible, and I have a feeling she may be back.

In my new novel, The Age of Misadventure, I wanted to suggest that everyone should have fun, whatever their age. Georgie, at fifty five, has tried to harden her emotions, having been disappointed in love. She reminds me of so many women I know and respect – strong, gritty and independent, tough in order to shield herself from being hurt again but by the end of the novel, she has softened. There is a second chance for her. But it is the character of Nanny Basham that I really hope people will take to their hearts.

I wrote the character of Nanny Basham with my Dad in mind. I lost him a couple of years ago. He’d been living on his own, managing to be independent until the last few years. Then, like Georgie in The Age of Misadventure, it fell to me to cook his meals, do the shopping and sort out most aspects of his life. Many of Nan’s disgruntled words at the beginning of the book are his too. Being old and living by yourself, eating meals for one in front of the TV and not putting on the heating because it’s expensive is no picnic, and it’s often difficult for people in that position to feel positive about life.

So I wanted to allow Nan to have some freedom, and to enjoy herself. Inside the lonely woman living from day to day is a woman who has another life to live – she craves company, fun – she likes to party. And I wanted The Age of Misadventure to be exactly that, Nan’s chance to party.

Of course, a frail older lady now, Nanny Basham has a past and she has loved and lost. Her life is to some extent about memories. But I want my older characters to believe they have a present time to enjoy and in The Age of Misadventure, Nan has the time of her life, both on the road trip and in Sussex. She lives a completely different lifestyle: surrounded by people, she feels pampered, important and she is happy. It is no wonder that, at the end of the novel, she says that she would rather be on the run and in danger and have fun than go back to sitting in front of the TV by herself with a meal in a box.

The Age of Misadventure is a road trip, an adventure, a comedy romp and the story of three generations of women finding out what they want from life. As ever, each day is a lesson and from the difficulties we experience comes learning. Bonnie is a much more likeable character by the end of the novel, when she has learned to be independent and when she discovers who she really is, rather than being content to reflect what her husband wanted her to be. Similarly, when Georgie puts her guard down, she is warm, loyal and funny, and yet she remains a lioness, fiercely protective of those she loves. Jade, still very young,  moves to the next stage of her life, becoming independent and carving out a future with her new partner. Nan relishes being with others, having company, and by the end of the story we hope she will enjoy herself now, living each day in her own riotous way but with a heart of gold.

Having been through an adventure together, all the characters are ready to celebrate life in the present. I believe that we should try to celebrate every moment in our lives whatever age we are and whatever our circumstances. It’s not always easy though, but books can help, as they helped my mum to dream when her life was all about routine. And that is where the older protagonists come in, having characters who misbehave, who enjoy every moment, who – even in their older years – refuse to fade into the background and be quiet. Hopefully we’ll all become older people as life expectancy increases. And perhaps we’ll benefit from characters like Nanny Basham and Evie Gallagher: new role models, older characters in novels who are flawed, who fight against adversity and come through triumphant, perhaps a little scathed, but positive and having learned something important about life.

So I’ll continue to write about fun characters that are in their golden years, as well as some other characters that are not. Perhaps that’s how the world is and should be – it’s about inclusion and celebration. To some extent, Nanny Basham was written for my Dad, Tosh. But really and truly, she is written for all of us. May we all live long enough to enjoy our later years when, like Nan, we have earned the right to be who we are – funny, feisty, a little outrageous and very much ready for some misadventure.

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My top ten reasons why I love writing novels…

I’m an avid reader. I’m the sort of person who will read everything: all genres, crisp packets, adverts on buses. I have my preferences, of course – I love anything by Gerard Manley Hopkins, Shakespeare, Jeanette Winterson, Ian Hancock, Roddy Doyle, Sarah Winman, the Brontë’s, Zola, Turgenev, Cecelia Woloch, Kamila Shamsie and lots more. Reading is fuel for the mind, the imagination and the emotions. I can’t read enough.

Reading also helps me as a writer. I start from the place that someone has written something as a gift and as a reader, I have the joy of unwrapping it. It has taken them a long time and their work has come from a special place in the writer’s creativity. I extract everything I can from it, like a nutritious meal. Mostly I love lots about others’ writing and, if I don’t, I can still learn about the style, the craft. Other people will love a book I don’t get and so I seek to find out what it is about the novel that hits the mark with readers. Very rarely, if I can’t get into it at all, I put it aside, like some people do with Brussel sprouts. It’s not for everybody but it’s not my style to be negative.

Then, of course, writing books has given me so much to be grateful for. I’m learning about the craft and the industry all the time. My next novel The Age of Misadventure is out this month and I’ve just finished writing another novel I have so much love for, so it is a good time to reflect and pick my top ten reasons why I love writing. Putting them into an order has been difficult, and of course, I will find more reasons as time goes by and there may be a top twenty. But here we go. My top ten:

10 Holding the baby. It is a powerful moment when the novel stops being a series of pages on the PC and first takes the form of a book. The writer can actually hold a copy, touch the printed pages, read the familiar first lines and the acknowledgements and think ‘Wow – this is real.’ To be able to take the book in your hands is incredible, turning it over and realising that you did this yourself – (well, not entirely by yourself – more of that later.) Then the book arrives and it’s in German, Czech, Italian, Japanese, Swedish, and the Canadian edition. I’m so grateful to so many people.

9 Being asked to talk about the novel. I’m quite a humble soul really and to be asked about my book is something that triggers a strange reaction. I’m being allowed to talk about something I’ve created and people are really interested in it. It takes some getting used to. I’ve done radio interviews, which I love, and a few signings and talks at book shops and universities. It’s a little bit scary and a little bit surreal when people ask How did you think up that character…? And why did you make this happen at the end..? But I’m overwhelmed that people have invested the time and interest to read and think about my novel. It’s a real honour.

8 The cover. Being shown an artist’s visual interpretation of your novel, and design which an expert believes will encapsulate the story and persuade others to read it is a great experience. My daughter is a talented illustrator and I’m always overwhelmed by people’s artistic talents and interpretation, and the time it takes to create the final piece. It is a joy to reveal a cover, and quite an emotional moment. Then, seeing the way the cover is designed for release in other countries is an experience that takes my breath away.

7 Being outside and being inspired. One of the greatest joys of writing a novel is that I have the freedom to choose how I schedule my working day. I’m quite driven, so I don’t spend lots of time in the bath or gazing at the sheep in the fields but I do make myself stop, in order to think and to recharge. The beach is a favourite place to go for thinking time, or on the moors, where ideas will blow through like clouds and I become clearer about what I want to write. I’m lucky to have a campervan so that I can travel, research my work and just let thoughts move around.

6 Laughing out loud at my own story – and even crying. If my own writing can move me, then it might move a reader. I find myself laughing aloud at what I’m typing sometimes and that’s a good measuring stick. Characters such as Evie Gallagher and Nanny Basham, and the three main characters in my latest novel, have all made me guffaw. When I’m editing and I know the story so well, it is another good time to test the waters. I shed a tear at the end of A Grand Old Time and Nan’s story about her past in The Age of Misadventure made my heart ache. I think the central issue is that I care about the characters – always flawed, dented by life’s experiences but optimistic and feisty, they deserve something special and that’s what I’m aiming for by the end of the novel. Of course, it won’t always be a happy ending for all of them…

5 Starting a new novel. Like a first date or a new love, a new novel grips the writer and you can’t get enough of it. I just want to write all the time, I’m so full of enthusiasm and energy to tell the story. Of course, I have dumped a few novels on the way at 20,000 words. Filed might be a better word. But if I’m not bursting with excitement, then probably the reader won’t be.

4. Waking up at 2 am. I love it when I wake up and characters are sitting at the end of my bed, yelling ‘So, what happens to me next? How do I manage to resolve…?’ and I spend hours working it out. Early morning is active brain time for me but I don’t mind. It’s productive and fun, so I roll with it.

3. Finishing a novel. It’s a great feeling but not a simple one to explain. Finishing a novel goes way beyond ‘Yahoo, I’ve finished – bring out the bubbly.’ There is a feeling of immense satisfaction, because I’m pleased with it and I’ve brought the novel to a conclusion and all the characters have a resolution. I know I need to go through and edit and re-edit, and I enjoy the process of improving what I’ve written. But there’s also a bitter-sweet tinge of sadness. I have to let the characters go now… they move from the smaller place of my life and into the wide world. But like children, you have to let them grow, move on and find their own way…it is a good feeling to have brought them this far.

2. The support. I can’t praise enough the people who help me with writing novels. I know lots of writers advocate self-publishing and I admire their expertise and focus. But I am blessed with the invaluable support of experts. From my wonderful agent to cheerful and skilled editors who are so experienced and helpful, to the exuberant publicist who works non-stop, I am truly lucky. The encouragement and love I receive from friends, neighbours, ex-students from my theatre-teaching days, even people I hardly know, is immense. I’ve had some really touching messages and incredible support from all over the world. It’s mind-blowing and truly wonderful. And then there is the encouragement I get from my family. At the end of The Age of Misadventure, my daughter whooped out loud and cheered at Nanny’s brave actions. My son knows every plot twist and my partner will read a chapter or two of a first draft each night, offering me technical advice about anything that has a motor engine. They are special people, my family, and I can’t thank them enough.

1. Readers. I’ve left readers until last because a book has no purpose without a reader. The readers are in my mind all the way through the writing process…will the reader enjoy this? How can I entertain, move, grip, interest, surprise my reader? It is an honour to be in the position of offering something I’ve created to someone else. And it’s not something I’m anxious about: it’s a privilege. Whoever and wherever the readers are, male or female, new to my books or not, whether they are bloggers, editors, people who’ve picked up a copy in a shop (someone told me they’d bought it on a whim because of the title and had no idea if they’d like it,) whether it features in a reading group or it’s an audio or on kindle or in paperback, I’m so grateful that I have such wonderful readers. It’s what it’s all about, the process, the ideas, the crafting, and the editing. The reader is the prize at the end of the race. So whoever you are, thank you.

 

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